CASACOR Bolivia 2017: 33 refuges that exalt nature
Opening its doors from April 12th, CASACOR Bolivia kicks off this year's exhibition calendar in style
By Alex Alcantara
Submitted at Apr 12, 2017, 5:00 AM
03 min de leitura
TEA GARDEN - CARLA BLANCO, JOSELYNE ADAD AND LUIS EDUARDO AÑEZ. The principles of Kazuo Shinohara and the Singapore Botanic Gardens guide the project, with its three metal structures called “Bromeliad Trees”. The lake is traversed on wooden slabs, highlighting contact with nature to promote relaxation and meditation. (Alvaro Mier)
01/43 -
TEA GARDEN - CARLA BLANCO, JOSELYNE ADAD AND LUIS EDUARDO AÑEZ. The principles of Kazuo Shinohara and the Singapore Botanic Gardens guide the project, with its three metal structures called “Bromeliad Trees”. The lake is traversed on wooden slabs, highlighting contact with nature to promote relaxation and meditation.
(Alvaro Mier)
02/43 -
PASEO DE LAS ARTES - CARLOS BLANCO AND PAOLA MONFORT. A monumental and at the same time permeable design, which allows you to appreciate the surroundings. With this idea in mind, the duo created a structure and landscaping that directs the visitor's gaze to appreciate the art from its best angles.
(Alvaro Mier)
03/43 -
THE PRINCIPAL KITCHEN - ELIANA CÉSPEDES AND NATALIA CRONEMBOLD. The space is designed using floating volumes and straight lines, which contribute to the sensation of spaciousness and greater height. The light tones of furniture and wallpaper give a glamorous and romantic atmosphere, making the place more welcoming.
(Alvaro Mier)
04/43 -
RICON DE BUDA - BETTY IBAÑEZ. Water, fire, earth, wood and metal take turns in the composition, which moves between contemporary and minimalism. Special care was taken with the landscaping and the principles of Feng Shui.
(Alvaro Mier)
05/43 -
MAIN ROOM - CAROLINA RIVERO, LILIANA RIVERO AND RUDY RIVERO. Bronze is one of the duo's bets for this year, with a certain art deco appeal. Wood warms up the composition, which also features the warm colors of the paintings by Fabricio Lara and José Moreno. MAIN ROOM - CAROLINA RIVERO, LILIANA RIVERO AND RUDY RIVERO. Bronze is one of the duo's bets for this year, with a certain art deco appeal. Wood warms up the composition, which also features the warm colors of the paintings by Fabricio Lara and José Moreno.
(Alvaro Mier)
06/43 -
EL PATIO - CAROLINA STEIGLEDER AND OLIVIA MORENO. The decor is clean and the landscaping only touches up what nature has produced, with several palm trees. The reading space is outdoors (under a tree, on the left) and has guaranteed privacy.
(Alvaro Mier)
07/43 -
TROPICAL MYSTICISM - NATALA MUSILLO. In this 340 square meter environment, one of the highlights is the 30 meter high vertical garden, which houses more than 20 different plant species.
(Alvaro Mier)
08/43 -
REST HOUSE - SIRIA GARCIA. With 275 square meters, the house was built in just 20 days and has a metal structure. The burnt cement floor, the brick walls, the wooden ceiling and the designs that permeate the large surfaces create a true refuge - and are common elements of several environments, reinforcing the integration between them.
(Alvaro Mier)
09/43 -
REST HOUSE - SIRIA GARCIA. With 275 square meters, the house was built in just 20 days and has a metal structure. The burnt cement floor, the brick walls, the wooden ceiling and the designs that permeate the large surfaces create a true refuge - and are common elements of several environments, reinforcing the integration between them.
(Alvaro Mier)
10/43 -
REST HOUSE - SIRIA GARCIA. With 275 square meters, the house was built in just 20 days and has a metal structure. The burnt cement floor, the brick walls, the wooden ceiling and the designs that permeate the large surfaces create a true refuge - and are common elements of several environments, reinforcing the integration between them.
(Alvaro Mier)
11/43 -
REST HOUSE - SIRIA GARCIA. With 275 square meters, the house was built in just 20 days and has a metal structure. The burnt cement floor, the brick walls, the wooden ceiling and the designs that permeate the large surfaces create a true refuge - and are common elements of several environments, reinforcing the integration between them.
(Alvaro Mier)
12/43 -
MACONDO - ROBERTO FRANCO. As in the work of writer Gabriel Garcia Marquez, Macondo is a place that comes from the imagination. Franco shows that it is possible to use large pieces in small spaces and organizes four plans arranged in different ways. They are covered in marble, ceramic and glass, with striking graphics on the floor - all surrounded, of course, by lush vegetation.
(Alvaro Mier)
13/43 -
LA DIVA SUITE - ALEJANDRA REYES, FERNANDO JUSTINIANO AND MARÍA BELÉN MORENO. The trio departed from the classic style to achieve a glamorous atmosphere, with sophisticated textures in the tapestry, bed linen, metallic details and well-crafted items, such as the plaster on the ceiling that supports the large chandelier. Lady Di, Carolina Herrera and Madonna are icons from various eras that served as inspiration.
(Alvaro Mier)
14/43 -
GUEST BATH - ROSARIO GUTIÉRREZ K. To break the rigidity, the ceiling and some regions of the walls gave way to the wooden lattice, which also replaces the skirting board in certain points. Wooden and brick panels are interspersed, contrasting with other walls covered in paper and 3D plates.
(Alvaro Mier)
15/43 -
EL BIBOSI DE LOS DESEOS - GABRIELA GREINER AND NATALIA PEREYRA. Bibosi, in Spanish, is our famous Ficus. The huge tree grew embracing an old water source, accessed by a small adobe-tiled bridge. To delimit the 235 square meter space, a green wall was also installed, made of recycled wood.
(Alvaro Mier)
16/43 -
DAILY EATER - ROCIO RODRIGEZ. The architect's choices are in the direction of shine. Silver and gold details, mirrors and lacquered furniture affirm sophistication, while wood and some warm colors create an environment to stay in for a long time. To finish off, wallpaper by designer Roberto Cavalli.
(Alvaro Mier)
17/43 -
MY PEDACITO DE CIELO - IRIS ROJAS AND TAYNARA WAZILEWSKI. Grays and beiges are the basis of a contemporary room for the baby, under the starry sky. On the floor, the graphics also stray from the ordinary. White lacquered furniture and glass and acrylic details are added, which bring lightness.
(Alvaro Mier)
18/43 -
LA SCRIVANIA DELLA PICCOLA - GLORIA MADARIAGA. The professional, who makes her debut at CASACOR, leads to a house in Tuscany. A bold and romantic woman lives there, who has her refuge in the office. Velvet furniture, intense colors, aged wood and stone - in addition to the sophisticated marble that invades an entire wall - reveal an ambiance that is not tied to a single style.
(Alvaro Mier)
19/43 -
LA SCRIVANIA DELLA PICCOLA - GLORIA MADARIAGA. The professional, who makes her debut at CASACOR, leads to a house in Tuscany. A bold and romantic woman lives there, who has her refuge in the office. Velvet furniture, intense colors, aged wood and stone - in addition to the sophisticated marble that invades an entire wall - reveal an ambiance that is not tied to a single style.
(Alvaro Mier)
20/43 -
LA SCRIVANIA DELLA PICCOLA - GLORIA MADARIAGA. The professional, who makes her debut at CASACOR, leads to a house in Tuscany. A bold and romantic woman lives there, who has her refuge in the office. Velvet furniture, intense colors, aged wood and stone - in addition to the sophisticated marble that invades an entire wall - reveal an ambiance that is not tied to a single style.
(Alvaro Mier)
21/43 -
LA SCRIVANIA DELLA PICCOLA - GLORIA MADARIAGA. The professional, who makes her debut at CASACOR, leads to a house in Tuscany. A bold and romantic woman lives there, who has her refuge in the office. Velvet furniture, intense colors, aged wood and stone - in addition to the sophisticated marble that invades an entire wall - reveal an environment that is not tied to a single style.
(Alvaro Mier)
22/43 -
EXTERIOR BAÑOS - ALEJANDRO LLOBET AND CARLA GIMENEZ. The space, which also has an outdoor area, proposes a contrast between the natural and artificial. To reinforce this opposition, he bets on the brutalist aesthetic of stones and opaque items, which interact with cut-out mirrors and metallic elements.
(Alvaro Mier)
23/43 -
LA VINOTECA... PASIÓN POR EL VINO - LISSY AÑEZ, PATRICIA FIASCHETTI AND VERONICA PAZ. Natural stones and bricks alternate on the walls and make the space cozy, with a rustic touch. Metal is added for contrast, used in the laser-cut structures that become wine displays.
(Alvaro Mier)
24/43 -
EMPORIO CRUCEÑO - MARCELA PARADA, MOISÉS VILLAGÓMEZ AND VALENTINA VIRREIRA. The city's typical architecture is respected and valued with the intervention of reticulated trusses. The new structure created an original exhibition space that blends rustic and modern.
(Alvaro Mier)
25/43 -
ESSENTIA SPA - IVÁN LENGSTORFF. The architect researched oriental culture and natural elements to create a harmonious space. The rigidity of the straight lines of the glass panel and the wooden deck is broken by the curved shapes of the bathtub, the side table and the openwork panel that prolongs contact with the greenery.
(Alvaro Mier)
26/43 -
DRESS - BAÑO SUITE - KATHERINE JORDÁN. “My space is inspired by 50 Shades of Grey, but with a focus on gender equality”, explains the professional, who designs an environment for the couple with individualized spaces. White for her and black for him, which also refers to Yin and Yang, from Taoism.
(Alvaro Mier)
27/43 -
URBAN TOILET - SERGIO SUÁREZ. The optical illusion with mirrors makes an otherwise ordinary space much more intriguing. As the visitor walks through the space, they discover tiles, mosaics and graphics, with emphasis on the new Deca lines.
(Alvaro Mier)
28/43 -
RESTAURANT - CARLOS A. PAREJAS AND MARCELO PAREJAS. Sculptures by Juan Bustillos, cuisine by chef Nicole Wille and the architecture itself are manifestations of art in the project. The space shares the natural beauty of the garden and is enhanced by imported materials, such as flooring and tiles from Brazil, the United Arab Emirates and Italy.
(Alvaro Mier)
29/43 -
TAMARIND WOOD - KARIN CARLSSON. With 247 square meters and several leafy trees, Karin had no doubts: she created a shady forest with a vocation for relaxation. She added other foliage to bring a tropical atmosphere and invested in circular wooden benches, which visually integrate with the surroundings.
(Alvaro Mier)
30/43 -
URBAN PATIO - JOSÉ FREDDY VACA AND ROLANDO SCHRUPP. An architect and an engineer come together to innovate through simplicity. Concrete structures support hammocks and invite you to relax in the outdoor space, in a delicate balance between the raw fabric, the gray concrete and the lush greenery of the surrounding nature.
(Alvaro Mier)
31/43 -
MAIN DINING ROOM - GABRIELA FLORES AND MAYA MAC LEAN. The eclectic style of the dining room features the elegance of the lacquered furniture and highlights the contrast with the natural wood, worked in conjunction with Kirah Design. The ceiling and walls are built in layers, enhanced by the lighting. The deep blue dominates the details and connects all areas.
(Alvaro Mier)
32/43 -
PARABANÓ - CARLOS X. ARAÚZ, ERWIN AMELUNGE AND VERONICA MELGAR. Parrots, parakeets and macaws that inhabit small clay houses inspire the setting, which functions as an office that lasts until happy hour. Bricks, wood and the floor invaded by foliage print guarantee the tropical climate of the environment, experienced under the generous canopy of the tree.
(Alvaro Mier)
33/43 -
URBAN FOREST - ANITA FERNÁNDEZ. The steel panel made up the original facade and was updated using the laser cutting technique. Another treasure that comes to light is the texture of the natural stones, whose shine was enhanced by the application of mica on the walls.
(Alvaro Mier)
34/43 -
HUÉSPEDES SUITE - EDUARDO BALDELOMAR. White walls and ceiling, in addition to the gray scale, visually unite the bathroom, living room (which is also a bedroom), closet and office. The minimalist and rational proposal is reinforced by the graphically appealing furniture, with details in black aluminum.
(Alvaro Mier)
35/43 -
HUÉSPEDES SUITE - EDUARDO BALDELOMAR. The guest suite was installed where the garage used to be. The original function was maintained, as was the connection between the set and the rest of the house, but the 108m2 space was redesigned and gained a loft feel. The concrete floor with a natural texture combines resistance and contemporary style.
(Alvaro Mier)
36/43 -
BOLETERÍA - OSCAR ANGLARILL. Anglarill applied steel, glass, stones, blue porcelain and other materials following an industrial style. But the main intervention, which changes the container's character, is in the iron pergola, which visually expands the 15 square meter structure.
(Alvaro Mier)
37/43 -
BOLETERÍA - OSCAR ANGLARILL. Anglarill applied steel, glass, stones, blue porcelain and other materials following an industrial style. But the main intervention, which changes the container's character, is in the iron pergola, which visually expands the 15 square meter structure.
(Alvaro Mier)
38/43 -
POOL BAR DECA - ALEJANDRA IRIARTE. The industrial language is translated into Deca's pipes, valves and taps, reinterpreted in various ways in the details.
(Alvaro Mier)
39/43 -
POOL BAR DECA - ALEJANDRA IRIARTE. The duality of fire in relation to elements such as water and air inspires the space, divided into four connected pools, a bar and a lounge. The lights follow the rhythm of the music.
(Alvaro Mier)
40/43 -
FRACTAL GALLERY - DIEGO G. ROCA AND DIEGO LEITON. On this floating platform, fragmented and irregular lines delimit several exhibition modules. The fractal concept also guides the lighting, composed of axes that meet and are complemented by the shadow lines created by other elements.
(Alvaro Mier)
41/43 -
FRACTAL GALLERY - DIEGO G. ROCA AND DIEGO LEITON. On this floating platform, fragmented and irregular lines delimit several exhibition modules. The fractal concept also guides the lighting, composed of axes that meet and are complemented by the shadow lines created by other elements.
(Alvaro Mier)
42/43 -
BEFORE YOU GREW UP - MARÍA EUGENIA MERCADO AND RODRIGO JIMÉNEZ. The furniture and colors in this room are designed for children between the ages of two and five. The bed, for example, is low and easily accessible. Walls are also part of the game, whether on paper with coloring pictures or on a pine climbing panel.
(Alvaro Mier)
43/43 -
WEEKEND HOUSE - TASSIANA OSHIRO. The 60-square-meter space is created from two shipping containers, with all the rooms of an authentic home, designed to receive friends and hold events. 4 by 8-meter glass panels are generous enough to allow nature to become part of the interiors.
(Alvaro Mier)
An urban farm is the charming setting chosen for CASACOR Bolivia 2017 , which will remain open until May 13. The approximately 5,000 m² of area expands the creativity of the 56 professionals, including architects, designers and landscapers. They are responsible for 33 environments, 21 of which are outdoors - a sign that nature prevailed in this edition, which could not fail to value the more than 100 varieties of trees, shrubs and other plants that exist.The real estate of the last century also received special attention, with projects that create true refuges. The simplicity of natural elements and Eastern wisdom in search of balance guided some works, which explore the rustic, brutalist aesthetic and the encounter with the essential. On the other hand, the glamour of metallics and inspirations in the classic gain relevance, showing that the most important thing is to feel comfortable, in any style.CASACOR BOLIVIA SERVICE 2017
From April 12 to May 13, 2017 Monday to Friday, 9am to 12:30pm and 3pm to 7pm | Saturday, 9am to 12:30pm WHERE?Urban Farm -Avenida Los Cusis, 157 – Santa Cruz de la Sierra – Bolivia