CASA COR RJ 2015: the 42 environments of the 25th edition of the show
With one foot in the past and the other in search of the future, CASA COR Rio 2015 occupies Villa Aymoré and reveals that the mix of styles is more than present
By Luciana Andrade
Submitted at Aug 31, 2015, 10:58 PM
03 min de leitura
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Lover's Room - Adriana Ferraz and Cristiana Galvão. The wallpaper resembles lace superimposed on a mirror. The Cavalinho line of sideboards is another highlight and creates a space to read and write love letters. LED lighting enhances the lines of the wooden shelf.
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Living Room - Bitty Talbot and Cecilia Teixeira. The flooring is the original of the house, made of ipê. On the walls, a false paneling was created with strips of MDF, installed from floor to ceiling and painted white. The joinery designed by the duo brings the timeless style of the office, which also chose accessories that stand out against the neutral base, composed of white, gray and wood.
(Divulgação)
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Ao Ganso Azul Bar - Bruno Carvalho and Camila Avelar. The cement floor and ceiling were maintained to make room for the lounge, transformed into a sensory experience laboratory. Nestled books make up a huge panel behind the bar.
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Apartment of the 50-year-old - Caco Borges. The home office combines with gourmet food and the hobby of collecting photographs - here, they are by Sergio Zalis and Renan Cepeda. Lattoog chairs accompany the multifunctional table, designed by the professional.
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Villa Store - Camilla Bortolini and Priscilla Campos. A young resident decides to transform his living room into a store where he sells pieces found on trips. This is the imagery present in the space, divided into a living room and an intimate work area. In the living room, the contemporary style dominates, with concrete walls that form a neutral background for the mix of pieces that interact with the classic and graphic prints. Nicholson's Luz de Maio painting is the only work of art - all so that the objects stand out.
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Villa Store - Camilla Bortolini and Priscilla Campos. The classic chandelier, in the hands of the duo, took on a navy blue and even straw tone.
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Sobrado Studio ro+ca - Carlos Carvalho and Rodrigo Beze. The rawer side of the space is displayed in destroyed walls and exposed pipes. But the “savings” on finishing were reverted to designer furniture. The pieces were designed by Jader Almeida, such as the Clip shelf, the lamps by Jader and Tom Dixon, the creations by Marcus Ferreira and Jorge Zalszupin.
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Gallery Owner's Office - Chico Viana and Guido Sant'Anna. The living room features the Presidential armchair by Jorge Zalszupin, the Arcos coffee table by Ricardo Fasanello, and the Alen sideboard by Flávio Borsato and Maurício Lamosa. The neutral color scheme, with citrus notes, also forms the backdrop for works of art by Nelson Leirner, Miguel Rio Branco, Carlito Carvalhosa and Waltercio Caldas, curated by Silvia Cintra.
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Landscaping - Raphael Costa Bastos. As it is a heavily trafficked path, Raphael sprinkled species between the retaining wall and the building to make the path visually lighter. “It is a way of breaking up the aridity of the space,” says the professional, who created dense and cozy landscaping in tones similar to those of the building.
(André Nazareth)
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Renault Lounge - Duda Porto. The project takes advantage of the landscape and the view of Christ. Everything develops from the metal structure that creates a space of 72m². To support the steel structure, a gabion wall was built, which consists of a wire basket filled with stones usually used to contain roads. In addition to storing the car, the space has a living room furnished with a Miele sofa, Queen armchair and Cross side table.
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Jabuticabeiras Square at the Renault Lounge - Duda Porto. The space, which will host food trucks such as Roberta Sudbrack's, was designed by Duda Porto in conjunction with Landscape Jardins. Cumaru benches make up a small lounge.
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Delonghi and Kenwood Immersion - Alessandro Sartore and João Marcelo Schiewe. The star attraction is the 13-meter-long counter designed by Sartore. Made of pine, it is a space for preparing and tasting tea, followed by an ice cream made with Kenwood appliances, with liquid nitrogen, or a cup of coffee. In fact, the Italy of Delonghi, a company that makes espresso machines, can be seen in the projections mapped on the walls. Antique pieces interrupt the counter and create an even more welcoming environment.
(Divulgação)
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Emporium Lapinha - Edgard Octavio. In this warehouse project, the professional uses simple resources, such as wallpaper with a red brick texture. The opposite wall was covered with craft paper, which gained another status and references the paper bags used in product packaging. Soaps, jellies and organic food are displayed on rustic-style furniture, which reinforces the grocery store feel.
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Solar Room - Emmilia Cardoso. The geometric bookcase, on the left in the image, was designed by Emmilia and made by Líder Interiores, which supplied almost all of the furniture - including the Concha armchair, launched by the Nada se Leva studio. The rustic staircase is from Rug Hold.
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Reception - Erick Figueira de Mello. Blue is on all the walls and, like in an immense sky, a thousand paper seagulls hover – folded one by one with surgical precision in the professional's office. Erick also designed stools with loom-made cushions so that, in the event of a queue, people can wait comfortably. The landscaping was in charge of Daniela Infante, including two palm trees at the entrance and lush foliage under the stairs, developed in corten steel.
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Café da Vila - Gabriel Sabugosa. In the Baronesa Building, the contemporary-style building in Villa Aymoré, Gabriel opted for a super-modern environment that provides a journey through eras and styles. To achieve this, he invested in pieces by renowned Brazilian designers, such as Paulo Mendes da Rocha, Jader Almeida, Aristeu Pires, and Etel Carmona. One of the walls was covered in snow-colored brique lisser brick. The trapezoidal countertop also steals the show. Made of Corian, it is six meters long with no joints. And half of it is completely cantilevered, which creates a feeling of lightness and continuity.
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Lab LZ by GT - Gisele Taranto. This ideas lab invites you to think about ways of living and inhabiting. Located in Villa Iracema, the last of the nine houses in Villa Aymoré, the space has tones of honey, propolis, wax and annatto in homage to the honey lips of another Iracema, the one from the novel by José de Alencar. In the library, shelves designed by Gisele interact with pieces by Flávia Pagotti, Maurício Arruda and Maneco Quinderé. The Jabuticaba lamp is his. In the foreground, in the lounge, the Lego sofa by Estúdio Bola has cushions made with fabrics by Italian designer Patricia Urquiola for Kvadrat, as well as pieces by Jader Almeida and Piero Lissoni.
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Lab LZ by GT - Gisele Taranto. In the meeting area, there are modular tables designed by Zanini de Zanine especially for the event, swings by Rodrigo Calixto and furniture by Carbono Design and Diesel. The floor is made of glass, with shards of mirror in the empty space between the existing subfloor and the finished floor.
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Designer's Home Office - Guilherme Osborne and Claudia Souza Santos. On the side wall, leather shutters were installed. The joinery is light and contrasts with stone, rustic wood, acrylic and corten steel in some pieces. In terms of furniture, the highlight is the table top that reuses demolition wood from French castles. The cement lamps are creations of the duo, who also incorporated into the project photographs by Ene Goes and Bernard Pras, watercolors by Felipe Barbosa and work with cans and recycled materials by Raimundo Rodrigues.
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Landscaping of the Home Office Garden by Designer Fernando Acylino. In this garden, wooden planters were painted to look like large planters. They were filled with very Brazilian species.
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Multipurpose Office - Jairo de Sender. The environments meet the work, leisure and living routine of an investor passionate about the art market. The silver is present and refers to the event's 25th anniversary, while the gold invites us to celebrate the golden anniversary in 25 years. The tones come in the wallpapers, in the metal flooring of the bathroom and closet, in the office shelves, in details of the closet coverings and in the bathroom. Nuances of wine and turquoise make the space even more festive. The Manhattan and Aurea armchairs and the Basilica and Kend tables make up the decor, which also highlights the aquarium installed on one of the walls.
(André Nazareth)
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Balcony - Darcy Brouck and Jairo de Sender. The garden is inspired by the amorous adventures of D. Pedro I and is located at the entrance to Villa Moema, where Jairo's space is located. The Laca palm trees, a noble species from Malaysia, are a highlight, as is the pergola. Darcy's landscaping, from Horto das Palmeiras, also invests in green coverage on one of the side walls, using a special substrate that replaces earth. Irrigation is automated.
(André Nazareth)
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Garçonnière - André Piva and Vanessa Borges. The book La Garçonne, by Victor Margueritte, scandalized society in the 1920s and inspired the environment, a refuge for encounters with art, music, literature and individual loves. The original architecture was maintained and houses both antiques and armchairs by Jorge Zalszupin and Ricardo Fasanello. André designed the bookcase, the sofa and designed the handmade rug in India. The walls alternate with paper and cement texture.
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Villa Foyer - Jimmy Bastian Pinto. The green and blue of Rio's beaches and lagoons predominate in this space that is half hotel lobby, half gallery, full of references to the city's history and local good humor. Rio's history is told in the covers and advertisements of Careta Magazine, from the early years of the Republic, and in the modernist furniture from the 1950s and 1960s, in pieces by designer Sérgio Rodrigues and architect Oscar Niemeyer.
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Atelier 35 A - Lia Siqueira. The base is neutral, with a melania marble floor and white walls with light reflectors. The lighting project by Maneco Quinderé included Ani lamps on the shelves and Olhos de Cobre pendants. In the bathroom, visitors will find new releases such as the double porcelain sink with red gold copper mixers, as well as the Pinha mixers, designed by Lia.
(Divulgação)
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Glória 25 Bis Restaurant - Luiz Fernando Grabowsky. Located in the building where the Hotel Turístico used to be, right at the beginning of the Villa, the space has doors and balconies with high ceilings and 200 m². The idea was to be bold and create a residential ambiance, with a palette of warm colors. Thus, Glória 25 Bis (referring to the anniversary of CASA COR RIO) has all the spaces integrated as if in a large living room – dining area, lounge and an open kitchen. In the restaurant, Grabowsky chose three models of chairs and tables in wood, glass and lacquer. The upholstery also varies, such as linen, cotton and leather, the raw material for exclusive placemats.
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Aymoré Jewelry - Marcella Bacellar. The environment was redesigned by the wooden mesh structure, which makes up the internal facade, from walls to ceiling. In addition to the geometry, the natural pine that serves as the raw material for the joinery defines the style of the space, which was also designed with exclusive parquet. The Otto sofa, by Guilherme Torres, creates a cozy seating area and shares the scene with pieces by designers Phillipe Starck, Gustavo Bittencourt, Tadeu Paisan and Ovo Design. Carmela Nardiello designed the stage lighting, and the framed paper work on the marbled wall is by Clara Veiga.
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Aymoré Jewelry - Marcella Bacellar. The environment was redesigned by the wooden mesh structure, which makes up the internal facade, from walls to ceiling. In addition to the geometry, the natural pine that serves as the raw material for the joinery defines the style of the space, which was also designed with exclusive parquet. The Otto sofa, by Guilherme Torres, creates a cozy seating area and shares the scene with pieces by designers Phillipe Starck, Gustavo Bittencourt, Tadeu Paisan and Ovo Design. Carmela Nardiello designed the scenic lighting, and the framed paper work on the marbled wall is by Clara Veiga.
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Dinner à Carioca - Mariana Dornelles and Stéfano Barino. On the walls, hexagonal ceramics create a 3D effect. The super hanging vegetable garden, with 40 planters, also promises to make an impression on those who visit this Carioca cuisine.
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Casa dos Cocares - Marina Linhares. Villa Kiriri was transformed into this space, whose name comes from the Kokares da Olho, produced with seeds and shells by Coletivo Amor de Maria in honor of the diversity of Brazilian indigenous tribes. They appear in different parts of the living room, which occupies a large part of the 110m². The furniture is a mix of French and Portuguese antiques with a touch of modernism, such as the Bowl armchair, by Lina Bo Bardi, and the contemporary Antonia desk, designed by Marina.
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Courtyard of Casa dos Cocares and Garçonière - Adriana Fonseca. Adriana's landscaping created a green corner with the use of wood, clay, iron and hanging vegetation. The large panel with wooden crosspiece comes from the recycling of old electricity poles. The chosen furniture includes the Guapig bench, made of Pekuiá wood.
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Collectors' Studio - Maurício Nóbrega. Although the contemporary prevails, the original identity of Villa Guarany's architecture is there, intact. The living room, designed for a couple of dealers who live and work there, is cozy and has plenty of space to display books and the art collection. To contrast with the classic elements of the house, the option was a cemented floor in the Fendi tone and metal tile coverings on the walls. The gold calacata marble coffee table was designed by Maurício.
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Landscaping - Fernando Acylino. The balcony of Villa Guarany was converted into a small garden of Brazilian species, but nothing too lush so as not to hide the architecture of the house.
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Chef's Office - Andrea Duarte and Anna Malta. In homage to Roberta Sudbrack, the space integrates the functions of work, rest and living. Wallpapers with surrealist effects are the backdrop for the bookshelf with straw doors. The color palette is dominated by petrol green and bois de rose, in addition to gray.
(Divulgação)
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Living da Praia - Paola Ribeiro. Since the staircase will not be used by the public, Paola transformed it into a large installation with books from floor to ceiling. The reissue of the armchair from the Viés collection, by modernist designer Aída Boal, was embraced by the space, which mixes contemporary pieces with antiques. The wall right behind it was decorated with wallpaper with a pattern that imitates Venetian blinds, in reference to the large windows in the space. The bar counter was made of Dekton, which looks like marble.
(Divulgação)
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Balcony at Living da Praia - Anna Luiza Rothier. On the balcony leading to the house, palm trees, philodendrons and vriesias bring greenery to Villa Tupy. Creepers occupy the railing that separates the house next door.
(Divulgação)
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Frida Kahlo's Garden - Paula Bergamin. In Coyoacán, the painter Frida Kahlo kept her studio facing a garden. Inspired by this story, Paula created this space that integrates work and contemplation areas with Mexican colors, in dialogue with the essence of an imperial Rio. Cacti and succulents, among other Mexican species, were incorporated because they are adapted to the Brazilian climate.
(Divulgação)
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Frida Kahlo's Garden - Paula Bergamin. To make the space more cheerful, Paula chose strong tones of blue, yellow, pink and turquoise. Antique and other contemporary items contrast with used and recycled elements, such as iron furniture, antique objects and fabrics found in Mexico. Also note the painted floor.
(Divulgação)
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Living Bathroom - Paula Neder and Luiza Pedral. The Caetano dressing table, by Aristeu Pires, is complemented by the Chuva mirror, designed by Leo Romano. The living room exudes comfort with the Carbono sofa, by Marcus Ferreira, and the Y side tables, by Jader Almeida. Galileu Lamps, by Marco Ficarra; Aero and Bob, by Baba Vacaro; and Kokeshi, from the French office A+A Cooren, make up the lighting, which includes LED strips installed in the boiserie, following the lighting project carried out in partnership with Chean Yok. The artworks are curated by Vanda Klabin.
(Divulgação)
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Home office of the Photographer - Pedro Paranaguá. This colorful and romantic environment houses the living and workspace of a young, fashionable woman, with an office, closet, kitchen with dining table (which can also be used for meetings) and living room, spread over 86m². The circulation was transformed into a gallery for Maritza Caneca's photos.
(Divulgação)
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Memory Space - Raf Arquitetura and Lafem Engenharia. This space tells the story of the restoration process of the village's nine houses, highlighting the relationship between new and old when approaching the concept of the intervention. The eclectic architecture from the early 20th century is the highlight of the space, which features contemporary and flexible furniture to display the archaeological finds found during the work, as well as photos that show the entire process. The spot lighting reinforces the gallery atmosphere.
(Divulgação)
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Restorer's Studio - Raphael Costa Bastos. In homage to Arnaldo Danemberg, Raphael dug deep into the antiques store's trunk and took out over a hundred pieces, including furniture and objects, distributed throughout the 100m² space. The result of his search is enhanced by the pastel and almond-colored base (like most of the wooden furniture), as well as the burnt cement floor. The dialogue with the present is affirmed by the inclusion of contemporary furniture by Jader Almeida, Carlos Motta and Pedro Useche in the ambiance.
(Divulgação)
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Beautiful Art Living Room - Ricardo Melo and Rodrigo Passos. Prints, textures and shapes of materials from the 1970s and 1980s were the starting point. The bookcase-bar-desk, created by the duo, pays homage to the work of Sérgio Rodrigues. The designer, in fact, is present with two armchairs: Beg and Jimi, representatives alongside Beijo, by Maurício Klabin, of period furniture. But the space also reserves space for contemporary furniture such as the Mariposa sofa, by Vitra, and the Duas Cores coffee table. Curated by Álvaro Figueiredo, works of art by Daniel Lannes, Jonas Aisengart, Rafael Alonso, Alvaro Seixas and Osvaldo Carvalho were brought together.
(Divulgação)
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Chef's refuge - Guilherme Portugal and Karyne Lima. The duo, from Rio Garden Design, created a kind of pocket park that functions as a small urban oasis. The space includes a vertical garden planted on a staircase they created.
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Chef's refuge - Guilherme Portugal and Karyne Lima. On the wall, the graffiti is made from moss, used instead of traditional spray paint.
(Divulgação)
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Reading Room - Bel Lobo, Bob Neri and Mariana Travassos. Freedom is mentioned in loose furniture, without many rules. The tones are neutral, including light and raw pine wood, black, gray and white, punctuated with some color. Almost all of the pieces are new releases from mooc itself, the furniture brand created by Bel Lobo: shelves, tables, benches, stools, desks and drawers.
(Divulgação)
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Landscaping for the Reading Room - Fernando Acylino. The balcony of Villa Tamoyo was transformed into a small garden. In a recessed part of the wall, corten steel boxes were planted with Brazilian species that disguise the aridity of the wall and highlight the architecture of the façade.
(Divulgação)
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Chef's Loft - Bianca da Hora. In the 65m² space, the center of attention is the gourmet area. The almost wallless space with an industrial feel houses the dining table made of reclaimed wood, which joins the work island. Different chairs reinforce the cool atmosphere. Recycled PVC was used on the floor. And the cabinets combine original finishes, such as basalt, which imitates petrified lava; canyon, with a 3D effect; and cydonia, bringing the nude trend to kitchen decor.
(Divulgação)
In 2015, CASA COR Rio de Janeiro will be staying at Villa Aymoré, an eclectic architectural complex built between 1908 and 1910, restored to house boutique offices in the charming Glória neighborhood. The result can be seen until October 4th in approximately five thousand square meters, divided into 42 spaces designed by 63 architects, interior designers and landscapers. “Over the past 25 years, we have revealed talents, launched trends and presented our own style of living, which is chic, casual and contemporary. A Carioca way of living. This is what makes CASA COR Rio unique. Once again, the event shows that it is in tune with the city, by occupying historic properties at a time when Rio is undergoing major revitalization,” says Patrícia Quentel, who has organized CASA COR Rio since the beginning. And it was the Rio edition that gave rise to the subsequent 20 CASA COR franchises in Brazil and four abroad (Bolivia, Chile, Ecuador and Peru). Stories The Rio style is the hallmark of the 25th edition, which also captures the city's history in references to the Tupinambá Indians, who inspired the name of the village and the semi-detached houses. The Baroness of Sorocaba, sister of the Marquise of Santos – both lovers of D. Pedro I – lived on that cobblestone slope long before Villa Aymoré was built. Of course, these stories and the colonial era also sparked the imagination of the professionals. In fact, during the restoration work, artifacts from the period were discovered, as well as an original stone path that connected the Baroness' house to Outeiro, which the archaeologists who oversaw the restoration began to call Caminho da Baronesa.
The solid wood floors, ceilings, doors, windows and staircases of the houses were used, contrasting with the cutting-edge technology installed during the retrofit, which enhanced the layout of each property. Among the trends, there is the Rio de Janeiro way of living, with a casual chic proposal, a mix of contemporary and old, and spaces that combine several functions, such as work, leisure, housing, meals and hobbies. Raw materials are also everywhere: reclaimed wood, stone from the Villa's original walls, cement, brick, concrete, corten steel, metal mesh and even metal tile walls. Also pay attention to the panels and carpentry work, especially the shelves. They are special! Get to know every detail of CASA COR Rio now, in the gallery below. CASA COR Rio 25 YearsWhen: September 1st to October 13th, 2015. Opening hours: Tuesday to Sunday, 12pm to 9pm. Where: Villa Aymoré - Ladeira da Gloria, 26 - Gloria. Tickets for visits from Tuesday to Friday: R$44 (full price), R$22 (students and seniors). Tickets for Saturdays, Sundays and holidays: R$50 (full price), R$25 (students and seniors). Single passport : R$ 100.
