4 CASACOR environments that explore the playful universe

The playful aspect is always explored by CASA COR professionals. Whether in a space for children or in more casual spaces, the theme is always explored in a poetic or conceptual way, bringing innovative proposals and fun ideas. Architects Náira Sá and Andréia Spessatto participated in CASA COR Goiás 2016, designing the Artist's Room , a light and uncluttered space, measuring 35 m², which paid homage to the artist from Goiás, Siron Franco.

On the table, sweets and cake stands are based on various animals, from rhinos to dinosaurs and rabbits. “These are pieces that bring more joy to the environment, in addition to attracting attention”, explains Andréia Spessatto. At CASA COR Campinas 2016 , Denise Teixeira created the Youngest Son's Room , thinking of a 5-year-old child who loves firefighters. However, it is also an invitation for adults to return to their childhood and explore the two floors of the space, which gives the feeling of being in a tree house. The room had open elements that allowed a view of the floor below and air circulation, in addition to all the tricks used to imprint the place with a firefighter theme. The neutral-tone vinyl flooring, the wooden details and the light walls allow for playing with colors, such as the tiled covering that forms the headboard and enhances the height of the ceiling. Inspired by the jungle, Viviane Busch designed the Children's Place at CASA COR Paraná 2016. The 170 m² space dedicated to children features life-size stuffed animals and a tree rescued from the city hall's warehouse. Carpentry was the main resource used, including the panels that cover almost all the walls. The flooring alternates between carpet tiles and a rubberized covering made from recycled material, bringing the imaginary closer to reality. To conclude, we couldn't fail to mention Leo Romano's space at CASA COR São Paulo 2016. For the exhibition, the architect designed Casa Braile , a sensory space that invited visitors to touch. Leo Romano created an environment that alluded to a dining and living room in a box covered in micro-perforated aluminum panels, which refers to the world of Braille. The tactile meaning in raised points is typical of the writing and reading system developed for the blind, inviting visitors to touch and look with their hands. A gradation of shades of pink marked the space through the furniture, rugs, objects and coverings.